“I’ve had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on Prototype, the first TV movie I ever did. Mark Brokaw’s staging was impressionistic, which is one of the grand things about theater: When it engages the imagination, it becomes powerful. Clearly, terrible things had happened to him in World War II and he was a victim of child abuse, but he didn’t allow himself to think about that. He says he loved Li’l Bit from the day she was born. Uncle Peck would never see himself as a pedophile. She wrote the play with so much love, and that’s what I worked from. Paula took a challenging situation-a character who was a pedophile-and presented the story in a way that moved people in a surprising way. “I don’t think any of us understood how extraordinary How I Learned to Drive was until we saw the effect it had on an audience. Role That Was a Perfect Theatrical Experience Baker’s eighth grade English class in Massachusetts and includes a trio of films that sparked his distinguished career. Morse’s Role Call goes all the way back to Mrs. He’s doing it again this summer in the title role of The Unavoidable Disappearance of Tom Durnin as a Ponzi-scheming lawyer who emerges from prison hoping to reunite with a family whose lives were destroyed by his crimes. His stage work is less well known, but anyone who saw his performance as Uncle Peck in the 1997 premiere of Paula Vogel’s Pulitzer Prize-winning How I Learned to Drive knows that Morse is unsurpassed at bringing intensity and humanity to deeply flawed characters. Elsewhere to The Green Mile to John Adams to Treme, David Morse has worked steadily on TV and in feature films for more than 30 years.
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